Recently, I talked to an 84 year old lady who has written over twenty plays. I was interviewing her for an article I’m writing for the Central Highlands Arts Atlas. I asked her what her highlight was – and I meant in her theatre-making career – but she told me that meeting her husband, at age 17, at a dance at the Heidelberg Town Hall was the highlight of her life.
We spent most of the time chatting about her late husband, whom she was married to for 62 years.
It made me wonder what I’d done wrong to only last 11 years in my most significant relationship, and only a measly 6 months in my most recent.
Or what, in fact, had I done right. Continue reading
Hollow in Rehearsal
Around two years ago, I pitched an ambitious project to a local community theatre company. It bombed. But Tripwire Theatre Inc was born from that rejection. Isn’t it funny how things that seem to have failed miserably, end up leading you to a far better place? Continue reading
Audrey & Grandad
Dad & Jeff, The Sum of Us
Nan & Leon
I am currently sitting at my desk, drafting thank you notes to the cast of The Sum of Us – the fab four – in preparation for tonight. Being closing night, I have the equally awesome and awkward task of accepting thanks and accolades for a production well done and showering the cast and crew with the praise they deserve.
But the two people that enable this entire production to happen, and dedicated hours towards this show – the two people I most want to thank – never even stepped foot inside the theatre.
The Sum of Us
The Sum of Us
Alistair Trapnell as Greg, And Jake Honeychurch as Jeff in The Sum of Us
Many people – like my new hairdresser – wonder why anyone would put in so much effort to create a piece of theatre and not get paid for it. Many directors bouncing around amateur theatre have been doing it for a while, and most do it for the love of it. Some are retired professionals looking to keep their hand in and their heart alight. And some, like me, are emerging professionals looking for experiences to add to a portfolio of work. That’s the easy answer – I’m building a career. The other answer – the real reason – is a lot harder to explain unless you’ve sat in a theatre and felt “that” feeling. Continue reading
Megan talking theatre.
With only a few weeks until graduation, I have been reflecting on my year in the 2017 Leaders Forum. It’s been intense, inspiring, depressing, and confronting. My place in the program has been thanks to the Hugh Williamson Foundation, with costs covered for a participant from the Arts & Culture sector. After 8 months of learning, I have more questions about myself and the ways I can be a leader than ever before. The very ground from under me is shaking and I do not like it one little bit.
Hollow – Tripwire Theatre Inc.
It will be over three months since Tripwire Theatre Inc. transformed the Daylesford Town Hall for the world premiere of Hollow when the production returns – this time as a full-length screening of the footage from the show.
As the playwright and director, the Hollow project has sat with me for over 2 years – since I first came across the story in around April 2015. It took every ounce of my creative being and my managerial nounce to make it a reality.
The Let-Down Reflex (3 Hander)
A Postcard from My Black Dog
I saw Bakersfield Mist at Ballarat’s Her Majesty’s Theatre the other night. I spent a few hours cosied up in a trailer-park with Maude (Julie Nihill), who was trying to convince New York art connoisseur Lionel (John Wood) that she owned a long lost Jackson Pollock. It was a decent show, if you’re into naturalism by numbers. But as I left the theatre I had a revelation – that theatre is the ultimate mindfulness exercise.