A Wearer of Many Hats

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I’ve often described myself as “a wearer of many hats – real and metaphorical”. You’ll often see me sporting a colourful woolen beret in winter, an orange felt hat in autumn and spring, and a broad-brimmed straw number in summer. I’m juggling  parenting, paid work and creative projects, and I have multiple creative projects on the go at once. So I guess my description is pretty apt.

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When Opportunity Knocks, I Answer.

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I was right when I said that everything changes. I know I’d sworn never again to work with community theatre after being burnt twice. It seems I wasn’t the only one who had negative experiences and with a new broom comes sweeping changes. The new board of Ballarat National Theatre are open to creative risk, actively seeking new blood, and have a longer-term outlook. I’m excited to be a part of that. The opportunities to build more networks, to work with new people, to try new things as a director, to forge a reputation for professionalism and quality seem to now outweigh any potential conflict that might arise from working in community theatre.

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Killing It For Kicks – An Analysis of Jekyll & Hyde The Musical

Jekyll & Hyde The Musical was recently staged in Ballarat for the first time by Ballarat Lyric Theatre Inc, at Wendouree Centre for Performing Arts. In terms of production values and performances, the show really was excellent. A jaw-dropping set, belting vocals and crisp choreography lived up to the hype. And yet, I felt so deeply uncomfortable during the performance that I nearly walked out of the theatre.

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Where Is Ballarat’s Professional Theatre Company?

This article was commissioned by the Central Highlands Arts Atlas and first published on 12 February 2019.

Ballarat is a self-proclaimed creative city. We have one of the country’s longest running heritage theatre buildings and a big modern theatre, both of which present a range of professional performances each year. We have a well-regarded tertiary training academy for actors and musical theatre performers. We have three community theatre companies as well as a number of highly successful performing arts schools. We have the annual Royal South Street competitions and we have performing arts creatives working at Sovereign Hill, Kryal Castle and as teachers.

So why don’t we have a professional theatre company?

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