Flashback Friday – Poem “Strong Vessel”

A year ago I was right in the middle of the Leadership Ballarat & Western Region Leaders Forum. We were preparing for our trip to Canberra and we used Shakespeare as a text to practice powerful public speaking with the fabulous Bryce Ives. I was blown away by the courage and creativity shown by everyone that night – it was the moment we truly became a team. After I went home, I wrote this ode in iambic pentameter. Continue reading

On Conflict

Have you ever had that weird effect when you’re lying in bed and you can feel yourself floating up in a sort of out-of-body experience, but simultaneously you can feel yourself sinking down into the earth? And you’re not sure if you’re as big as the sky or you’re just a tiny particle of sand. You’re both. Well, that’s how I feel when I think about conflict.

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That Feeling – Why I Direct Theatre

Many people – like my new hairdresser – wonder why anyone would put in so much effort to create a piece of theatre and not get paid for it. Many directors bouncing around amateur theatre have been doing it for a while, and most do it for the love of it. Some are retired professionals looking to keep their hand in and their heart alight. And some, like me, are emerging professionals looking for experiences to add to a portfolio of work. That’s the easy answer – I’m building a career. The other answer – the real reason – is a lot harder to explain unless you’ve sat in a theatre and felt “that” feeling. Continue reading

Dear Dickheads – an open letter to shut your mouths

I have two children – aged 4 and 2. We exist in the world, just doing our thing, being a parent and being kids. But on an almost daily basis I encounter many people who can only be described as complete dickheads. So I collected our experiences and wrote this letter. If you don’t like sarcasm look away now.

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A time for sadness – reflecting on the Hollow project.

It will be over three months since Tripwire Theatre Inc. transformed the Daylesford Town Hall for the world premiere of Hollow when the production returns – this time as a full-length screening of the footage from the show.

As the playwright and director, the Hollow project has sat with me for over 2 years – since I first came across the story in around April 2015. It took every ounce of my creative being and my managerial nounce to make it a reality.

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