I was right when I said that everything changes. I know I’d sworn never again to work with community theatre after being burnt twice. It seems I wasn’t the only one who had negative experiences and with a new broom comes sweeping changes. The new board of Ballarat National Theatre are open to creative risk, actively seeking new blood, and have a longer-term outlook. I’m excited to be a part of that. The opportunities to build more networks, to work with new people, to try new things as a director, to forge a reputation for professionalism and quality seem to now outweigh any potential conflict that might arise from working in community theatre.
Continue reading “When Opportunity Knocks, I Answer.”
Jekyll & Hyde The Musical was recently staged in Ballarat for the first time by Ballarat Lyric Theatre Inc, at Wendouree Centre for Performing Arts. In terms of production values and performances, the show really was excellent. A jaw-dropping set, belting vocals and crisp choreography lived up to the hype. And yet, I felt so deeply uncomfortable during the performance that I nearly walked out of the theatre.
Continue reading “Killing It For Kicks – An Analysis of Jekyll & Hyde The Musical”
This article was commissioned by the Central Highlands Arts Atlas and first published on 12 February 2019.
Ballarat is a self-proclaimed creative city. We have one of the country’s longest running heritage theatre buildings and a big modern theatre, both of which present a range of professional performances each year. We have a well-regarded tertiary training academy for actors and musical theatre performers. We have three community theatre companies as well as a number of highly successful performing arts schools. We have the annual Royal South Street competitions and we have performing arts creatives working at Sovereign Hill, Kryal Castle and as teachers.
So why don’t we have a professional theatre company?
Continue reading “Where Is Ballarat’s Professional Theatre Company?”
In April last year, I submitted three proposals to direct for a community theatre company in 2019 and 2020. In November 2018, a long six months later, I got a response to my proposals. And it floored me.
Continue reading “Why I’ve Turned My Back On Community Theatre”