I was right when I said that everything changes. I know I’d sworn never again to work with community theatre after being burnt twice. It seems I wasn’t the only one who had negative experiences and with a new broom comes sweeping changes. The new board of Ballarat National Theatre are open to creative risk, actively seeking new blood, and have a longer-term outlook. I’m excited to be a part of that. The opportunities to build more networks, to work with new people, to try new things as a director, to forge a reputation for professionalism and quality seem to now outweigh any potential conflict that might arise from working in community theatre.