I’ve just finished writing a play. Bells and whistles notwithstanding, the overwhelming feeling is one of apprehension. And that’s because the completion of a playscript is more of an abandonment than anything else. Continue reading “The Abandoned Playscript”
Around two years ago, I pitched an ambitious project to a local community theatre company. It bombed. But Tripwire Theatre Inc was born from that rejection. Isn’t it funny how things that seem to have failed miserably, end up leading you to a far better place? Continue reading “The Rejection That Fueled Me.”
I am currently sitting at my desk, drafting thank you notes to the cast of The Sum of Us – the fab four – in preparation for tonight. Being closing night, I have the equally awesome and awkward task of accepting thanks and accolades for a production well done and showering the cast and crew with the praise they deserve.
Many people – like my new hairdresser – wonder why anyone would put in so much effort to create a piece of theatre and not get paid for it. Many directors bouncing around amateur theatre have been doing it for a while, and most do it for the love of it. Some are retired professionals looking to keep their hand in and their heart alight. And some, like me, are emerging professionals looking for experiences to add to a portfolio of work. That’s the easy answer – I’m building a career. The other answer – the real reason – is a lot harder to explain unless you’ve sat in a theatre and felt “that” feeling. Continue reading “That Feeling – Why I Direct Theatre”
With only a few weeks until graduation, I have been reflecting on my year in the 2017 Leaders Forum. It’s been intense, inspiring, depressing, and confronting. My place in the program has been thanks to the Hugh Williamson Foundation, with costs covered for a participant from the Arts & Culture sector. After 8 months of learning, I have more questions about myself and the ways I can be a leader than ever before. The very ground from under me is shaking and I do not like it one little bit.
It will be over three months since Tripwire Theatre Inc. transformed the Daylesford Town Hall for the world premiere of Hollow when the production returns – this time as a full-length screening of the footage from the show.
As the playwright and director, the Hollow project has sat with me for over 2 years – since I first came across the story in around April 2015. It took every ounce of my creative being and my managerial nounce to make it a reality.
I saw Bakersfield Mist at Ballarat’s Her Majesty’s Theatre the other night. I spent a few hours cosied up in a trailer-park with Maude (Julie Nihill), who was trying to convince New York art connoisseur Lionel (John Wood) that she owned a long lost Jackson Pollock. It was a decent show, if you’re into naturalism by numbers. But as I left the theatre I had a revelation – that theatre is the ultimate mindfulness exercise.