I’ve teamed up with Ballarat National Theatre to host online readings of my two new plays, Turbulence and Rental.Continue reading “BNT to host script reading of my brand-spanking-new plays!”
I’ve often described myself as “a wearer of many hats – real and metaphorical”. You’ll often see me sporting a colourful woolen beret in winter, an orange felt hat in autumn and spring, and a broad-brimmed straw number in summer. I’m juggling parenting, paid work and creative projects, and I have multiple creative projects on the go at once. So I guess my description is pretty apt.
I was right when I said that everything changes. I know I’d sworn never again to work with community theatre after being burnt twice. It seems I wasn’t the only one who had negative experiences and with a new broom comes sweeping changes. The new board of Ballarat National Theatre are open to creative risk, actively seeking new blood, and have a longer-term outlook. I’m excited to be a part of that. The opportunities to build more networks, to work with new people, to try new things as a director, to forge a reputation for professionalism and quality seem to now outweigh any potential conflict that might arise from working in community theatre.
Jekyll & Hyde The Musical was recently staged in Ballarat for the first time by Ballarat Lyric Theatre Inc, at Wendouree Centre for Performing Arts. In terms of production values and performances, the show really was excellent. A jaw-dropping set, belting vocals and crisp choreography lived up to the hype. And yet, I felt so deeply uncomfortable during the performance that I nearly walked out of the theatre.
Ballarat is a self-proclaimed creative city. We have one of the country’s longest running heritage theatre buildings and a big modern theatre, both of which present a range of professional performances each year. We have a well-regarded tertiary training academy for actors and musical theatre performers. We have three community theatre companies as well as a number of highly successful performing arts schools. We have the annual Royal South Street competitions and we have performing arts creatives working at Sovereign Hill, Kryal Castle and as teachers.
So why don’t we have a professional theatre company?
In April last year, I submitted three proposals to direct for a community theatre company in 2019 and 2020. In November 2018, a long six months later, I got a response to my proposals. And it floored me.
I love this poem so much that it now forms the opening of my newest play, The Let-Down Reflex.
I wrote it in June 2017 and it really does reflect the every day lived experience of parents. The Let-Down Reflex is currently in development and will be having a work-in progress showing on Thursday 24th January at Ballarat Trades Hall. Come along!
I’ve just finished writing a play. Bells and whistles notwithstanding, the overwhelming feeling is one of apprehension. And that’s because the completion of a playscript is more of an abandonment than anything else. Continue reading “The Abandoned Playscript”
Around two years ago, I pitched an ambitious project to a local community theatre company. It bombed. But Tripwire Theatre Inc was born from that rejection. Isn’t it funny how things that seem to have failed miserably, end up leading you to a far better place? Continue reading “The Rejection That Fueled Me.”